МОНГОЛЫН УРЧУУДЫН ЭВЛЭЛ

1955-1989        Union of Mongolian Artists

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1955

• Resolution no. 133 of the People’s Party Central Committee (May 24th): 

• “In order to further develop the fine arts in our country:

1. Creation of the Union of Mongolian Artists (Монголын урчуудын эвлэл – МУЭ)

2. Convene the Congress of the Union of Mongolian Artists in the 3rd quarter of 1955

3. To establish a committee to prepare and organize the Congress of Artists with the following members and assigned roles: Choidog - Chairman of the Preparatory Committee; Dorshpalam, Tsevegshav, Odon, Odgiiv, Purev - Art Committee; Choimbol, Chultem, Ichinkhorloo - Industrial Committee

4. Introduce the charter plan of the Artists’ Union to the artists, sculptors and artisans, and instruct the Organizing Committee to recruit them to the trade union. The Mongolian Department of Fine Arts will be reorganized and incorporated into the Union of Mongolian Artists alongside a first secretary, an undersecretary, and three expert photographers. The secretaries shall manage the work of the association and its affiliates while the photographers shall assist the work of member artists and organize activities to improve efficiency. 

• The first congress of the Mongolian Confederation of Trade Unions was held September 28-30. D.Choidog gave a presentation on the “current state of fine arts and future goals” which included the following subject:

1. The help provided by the People’s Part and the Soviet people in changing the lives of Mongolians. 

2. Socialist Realism is the art style of the organization 

3. Workers who strive to build socialism are the main subject of the organization’s art

4. Fine arts are meant to further ideology 

5. Producers of fine art must continue to hone their skills

6. The development of the study and criticism of fine art 

7. The development of new decorative arts

8. The availability of fine arts to the public

9. A section on strengthening the Union of Artists:

• Resolution no. 04 of the Presidium of the Union of Mongolian Artists’ Committee (October 13th)

1. G. Odon is appointed head of the art section

2. S. Choimbol is appointed head of the sculpture section

3. V. Odgiv is appointed head of the press drawing section 

4. U. Yadamsuren is appointed head of the decoration and design section

5. L. Gavaa is appointed head of the stage decoration section

 

1956

• In April, D. Choidog, chairman of the Union of Mongolian Artists Committee, died suddenly of a serious illness, and N. Tsultem was as his successor.

• A new resolution from the Council of Ministers saw the “… expan[sion of] the sculpture factory of the UMA Committee and establish[ment of] a bronze department and a ceramic department in July 1956 on the basis of utility calculations.”

• A ceramic kiln was installed and began operation. 

• D. Luvsanshamts established a screen-printing department and made various crafts, which became the foundation of the printing and craft industry. Products included the prints set "Mongolian Folk Crafts" (84 pages), artist D.Manibadar's "National Decorations" (92 pages), Assorted Art Album (25 pages), various postcards, and 12 pictures.

• A branch of the Fine Arts Museum was established next to the State Central Museum, which became the basis for the current Union Art Gallery. The collection included 400 works from Romania, Bulgaria, Hungary, the Czechoslovakia, Hungary, Germany, and the Soviet Union. 

• N.Tsultem, L.Namkhaitseren and L.Gavaa were awarded the title of ““Honored Worker of Art”.

 

1957

• After the establishment of the Artists’ Branch in rural areas and aimags, more than 100 people were working to supply 30k MNT in products across the country. 

• In August, Resolution No. 367 was issued by the Mongolian Chamber of Commerce and Industry to establish the Art Foundation of the People's Republic of Mongolia under the Mongolian Art Union.

• Sculptor S. Choimbold was awarded the title of “Honored Worker of Art”.

• More than 100 pieces of art were donated and exhibited to celebrate the 10th anniversary of the creation of the Inner Mongolia Autonomous Region. 

1958

• The first class specialized in sculpting graduated from the School of Fine Arts. 

• A general meeting of the Union of Mongolian Artists was held on July 16th to assess the accomplishments of the organization over the past three years. During the meeting, more than 20 people made proposals on how to improve the quality of artwork, to better reflect modern life through social realism, and on the identification of obstacles that hinder the work of artists. An architectural section was under the Union of Mongolian Artists Committee with B. Chimed appointed as chairman. 

• The first class for detailed drawing opened with 26 students.

 

1959

• On March 6th, the resolution of the People's Council  “On some measures to improve the fine arts” was issued.

• On June 22nd, the general meeting for the Union was held.  

• In September of 1959, artists Arkady Petrovich Stroganov of the Moscow State University was invited alongside Boris Mikhailovich Goncharov of Voronezh to work as painting instructors. At the time, G. Odon and B. Gagdasuren were also employed as painting intructors, A. Davaatseren worked as an anatomy and art history instructor, D. Natsagdorj and A. Gevusheekhuu worked as carving instructors, and D. Sadagdorj worked as a decorative painting instructor. 

• From December 26th 1956 to March 27th, 1959, the Union of Mongolian Artists participated in the Moscow Exhibition of Socialist Countries where 200 Mongolian pieces were on display. In total, the exhibition featured more than 3000 works from 12 different countries: Albania, Bulgaria, Hungary, Vietnam, East Germany, China, North Korea, Mongolia, Poland, Romania, the Soviet Union, and Czechoslovakia. Following the exhibition, a report on Artistic Activities in Developing Countries on the Road to Socialism criticized the Mongolian portion of the exhibit for its lack of artistic exploration and its imitation of Soviet art. For example, Bulgarian representative Nikolai Schmirgel said that the artist should try and incorporate the unique characteristics of their people into their artwork to preserve their sense of self and that “the Mongolian section lacks a unique and authentic national identity and there would be no discernible difference mixing those works in with the Soviet or Bulgarian exhibits”. This critique had a major impact on the revival of traditional Mongolian art, especially the “Mongol Zurag” which had been abandoned during the revolution.  

• L. Namkhaitseren won the State Prize for his plays “Forest Spirit”, “Gray Girl”, G. Odon for his play “After Work”, and N. Tsultem for his plays “Steppe Family” and “Carpets”.

 

 

 

1960

• In the first quarter, the Department of Painting and Labor was established as an offshoot of the Department of Fine Arts. Led by senior instructor Bazarsadar, the first class of painting and labour instructors graduated in 1962.

• The School of Fine Arts opened its first intensive evening classes, starting with 36 students and Ts. Baivaar as the appointed director. 

 

1961

• Following the design of sculptor L. Makhval, sculptors Damdinjav, Gagdasuren, Dorjgotov, and Vandanourev cast a bronze statue of famous author D. Natsagdorj During the celebration of the 40th anniversary of the People’s Revolution, it is said that 5 tons of copper coins were used in creating the 9-meter-tall statue. 

• Sculptors L. Dorj, D. Gund, and D. Gelegdandar were awarded the title of “Honored Worker of Art”.

 

1962

• On December 5th, the Second major conference of the Union of Mongolian Artists convened. There were 178 men and 16 women in attendance with 165 being member artists of the Union, 30 of these members being those with a higher education in art, and the first secretary of the Union of Mongolian Artists Committee.  This first secretary, N. Tsultem, wrote in his report “Describing the developmental period of Western Socialism” that “Resolutions passed by the Central Committee have consistently been passed regarding art and its ideological role, how best to capture reality, and educating the workers on patriotism and internationalism” and how, 7 years after the first conference, the accomplishments of the Union could be summarized. During the metering, 41 people were elected to official positions, with N. Tsultem being elected as general secretary. A celebratory exhibition was held wherein 712 works by 232 artists were displayed compared to the 577 works by 167 artists from the first General Conference. Artforms displayed include Western-style paintings, Mongol zurag paintings, carvings/engravings, theatre and film set pieces, sculptures, posters, line art, comic art, embroidery, paper cuttings, decorative ornaments, and decorated porcelain. 

• The Union of Mongolian Artists celebrated its 20th year since its inception as the Arts and Crafts Organization in 1942. In his opening remarks, two-time State Prize winner O. Tsevegjav commented on how the revolutionary art of Mongolia had grown immensely through the study of Soviet art and the engagement of Mongolia with other countries on the road to socialism. “Our organization was founded in 1942 with two artists and one apprentice, now it has a branch in every province and over 300 member artists”. The exhibition held as part of the celebration focused on three main periods: 1. The beginning of the revolution, 2. The establishment of the Department of Fine Arts, and 3. The period of time leading up to the first General Conference.  

• An initiative by the Union of Mongolian Artists Committee pushed for a “Children’s Art Exhibition” nationwide for International Children’s Day (June 1st). A national contest and subsequent exhibition were held, both organized by non-staff secretary D. Sandagdorj. After a break in 1963, the contest and exhibition were organized annually from 1964. 

• On August 13th, resolution 288 of the Politburo of the Central Committee called for the organization of multiple temporary and permanent galleries and exhibitions in order to display the glasswork of local artisans and foreign exhibitions for the average worker. 

• Painter G. Odon and sculptor N. Shambaa are awarded the title of “Honored Worker of Art”. 

 

1963

• The UBDS launched its first art instruction class at the insistence of the UMA. Famous artists from this class include B. Chogsom, B. Ravsal, and Ch. Batmonkh. Many talented individuals such as S. Rentsen, G. Bold, S. Natsagdorj, Kh. Sodnomtseren, D. Natsagdorj, D. Sandagdorj, N. Adyabazar, L. Bavodorj, S. Natsagdorj, P. Tesgmid, N. Sodnom, G. Cholodai, M. Amgalan, M. Lhagvadorj, G. Dunburee, L. Gursed, and G. Bayar continue to make valuable contributions to the Mongolian fine art. 

• N. Shambaa is awarded the State Prize for his works “Airag”, “Sukhbaatar’s Country”, and “Medical Instructor”. 

 

1964

• On April 9th, the Politburo of the Central Committee passed a resolution establishing a drawing course at the UBDS. This class was taught by People’s Artists O. Tsevegjav, S. Natsagdorj, B. Baldan, and S. Chogsom and has since expanded into the School of Fine Arts and Technology at the Mongolian State University of Education. Furthermore, in 1998 the program created a doctoral dissertation council where Ts. Erdenetsog defended the first dissertation, “Color Harmony in 20th Century Mongolian Art”. In 2003 the first Mongolian Doctor of Arts and Professor of Arts emerged from this department. Ts. Erdenetsog, Doctor of Art and Associate Professor, is now in charge of planning and managing research with research projects and albums entering publication for public access. 

• Theater artist Ts. Dorjpalam is awarded the State Prize. 

 

1965

• On March 31st the Mongolian Museum of Fine Art was established by order of the Council of Ministers. 

• A folk-art class was opened within the sculpting section with 20 craftsmen initially trained. 16 students graduated from this program from 1965-1968. 

• O. Yadamsuren and O. Tsevegjav are awarded the title of People’s Artist. 

• A. Sengetsokhno is awarded the State Prize. 

 

1966

• On June 29th, the Central Committee and Council of Ministers passed a joint resolution on the collection and protection of cultural relics. 

• On July 23rd, Museum of Fine Arts opened its doors. At this time, there were more than 300 exhibitions on display, with art ranging from historical pieces from Undur Gegeen Zanabazar, the Great Khuree, and Zeegt Naam to more modern pieces by B. Garav, Tsagaan Shamba, D. Manibadar, A. Soltoi, and G. Damsuren; generations of artists in one gallery. On the 350th anniversary of his birth, the museum was renamed to the Fine Arts Zanabazar Museum. 

 

1967

• Mongolian artists and craftsman constructed their own gallery (1966-1967) and had their first exhibition featuring prints of famous classical pieces and a second exhibition modelled after Bayankhongor’s ten days of Culture. D. Gonchig was appointed as the first chairman and worked with a team of eight for a 38.8k salary. 

• On March 21st, 1966, Ulaanbaatar’s Chief Architect, B. Chimed, approved a 300k tugrik project for the construction of a 600 sq meter exhibition hall to mark the 45th anniversary of the People’s Revolution. The UMA Committee completed the project for 306k tugrik with the help of artists and craftsmen.

• From the minutes of a meeting of the UMA Committee on November 4th: “Sanchir, Tuya, Noojoo, Turbat, and Dorjsuren, all educated abroad, were assisting with the construction from July 28th to August 2nd, digging 3.72 m3 insulation holes”. 

• Section of Construction Schedule from the UMA Archives:

1. Welding of window decorations; 5-6, 1966; Odon and Gonchig

2. Negotiation with the carpentry and masonry departments on the subject of constructing a concrete floor, 6, 1966; Sanjaa

3. Completion of 59 m3 of brickwork; 10-13, 1966; Dunburee, Gungaa, Tsembeldorj, Luvsandorj, and Gempil

4. Use the 30 insulation machines to bring to ash to the ceiling; 14-15, 1966; Odon and every worker on Saturday

5. Assemble and install 104 window frames and 12 door frames; 14-20, 1966; Odon and 3 factory carpenters

6. Fill in the plaster for the windows and doors; 20-30, 1966; take 26 workers from the factory and do it Saturday

 

1968

• On February 2nd, the People’s Congress and Council of Ministers passed a resolution on “some measures to develop folk handicrafts”. 

• On July 20th, the first Mongolian Youth Fine Arts exhibition was opened at the UMA exhibition hall. Work by artists such as P. Baldandorj, G. Sosai, G. Dunburee, G. Bayar, and People’s Artist and State Prize recipient O. Tsevegjav were displayed. O. Tsevegjav unveiled his work “Maternal Kindness” in this exhibition. 10 days after it had begun, the Ideology department of the Central Committee closed the exhibition and called a meeting of young artists. At this meeting there was a heated debate over new trends in art. As a result, the Central Committee stepped in to decide prompting several people to act in response.

• On December 16th, the third Grand Congress of the Confederation of Trade Unions convened where chairman of the Union of Mongolian Artists Committee, gave a report titled “Let’s Modernize the Fine Arts”. 

 

1969

• On January 29th, the Second Plenary Session of the Mongolian Confederation of Trade Unions convened to pass resolution no. 28, “On the work of the Trade Union Committee”. N. Tsultem used the opportunity to give his speech “The Artist’s Duty to Fulfill Social Realism” wherein he described the works of the “bourgeoisie”. Deputy Member of the Central Committee, B. Lhamsuren spoke after some of the so-called “mistakes” had been made, saying that “…in recent years, the approach to the work of some of our artists and to the development of the fine arts in general has been misguided. Some artists have deviated from Socialist Realism and have painted abstractions that mimic the art of the bourgeoisie. Defenders of such works criticize the Marxist-Leninist theories for the development of art. This is a very serious thing. Therefore, members of the Central Committee met with members of the Chamber of Commerce to discuss the state of our fine arts and their shortcomings and to draft a resolution on “the work of the UMA Committee”. The resolution states that the management of the Union of Mongolian artists underestimated the harmful effects of bourgeois ideology, levied only superficial criticism against it, and failed to wage a principled struggle against it. The reasons for the mistakes of those listed in the plenary report vary, but in general there was a misunderstanding of the party line’s view on the development of the fine arts and an underestimation of the influence of bourgeois ideology. It is good that O. Tsevegjav, G. Bayar, and J. Tsendjav are willing to admit their mistake, but one must work towards fixing things through their artwork.” 

• From the resolution of the second General Assembly of the UMA:

• “Artists O. Tsevejav, P. Baldandorj, B. Turbat, and G. Bayar with art critic Ts. Dorjsuren, in straying from Marxist-Leninist aesthetics and from Socialist Realism, have misunderstood the objectives set in artistic innovation and have cost our fine arts greatly in their imitation and encouragement of the bourgeois style of abstraction and have created a rift between young and senior artists through this misunderstanding. 

• “The General Assembly finds that this confusion stems from a weakening of ideological dedication in the leadership of the Union of Mongolian artists – leadership that failed to tackle these problems sooner. 

• According to the resolution, reprimanded Union members were instructed to account for their mistakes through studying and creating ideological work on Marxism-Leninism. 

• The Fine Arts Foundation organized a national contest and exhibition featuring over 800 works from the central region of the country and from Ulaanbaatar and with selected original pieces entering production at the Union factory.

• On the 100th anniversary of B. Barav’s birthday, the Union expanded its printmaking facilities to include a new factory named in his honor. 

• Artist D. Amgalan was awarded the State Prize for his works “Construction of the Great Square” and “Morning of My Homeland”. 

• Engraver S. Senged is awarded the title of “Honored Worker of Art”.

• On April 30th, artist S. Rentsen and sculptor L. Dashdeleg won the first prize awarded by the Museum of Fine Arts for their exhibitions. 

 

1970

• The Ulaanbaatar branch of the Artists’ Union was reorganized into an independently functioning organization using utility calculations. 

• In April, on the 100th anniversary of Lenin’s birthday, the first issue of the magazine “Fine Arts” was published by the UMA Committee under the name “Mongol Zurag” (lit. Mongolian Painting). 

• The Fine Arts Foundation Committee reorganized itself for increased profitability and since 1970 has been able to predict work and service amount annually and adjust according to quarterly demand changes to optimally invest 60% of its revenue into the Fine Arts Foundation; the remaining 40% of revenue went to the State Government. The Fine Arts Foundation was managed for many years by G. Tserendondog until 1982 when he was succeeded by People’s Artist and State Prize recipient B. Gombosuren. 

• Artist B. Tsermaa was awarded the title of “Honored Worker of Art”.. 

• Awards from the Union were presented to sculptor M. Mijir for his “Statue of D. Dursgal”, S. Dondo for his paintings “Bayantsagaan” and “Equestrian”, and Ch. Batmunkh for his research on the Khalkh River, his show “Belcheer”, and his assistance with the Union’s Dornod branch. 

1971

• A Department of Crafts was established within the Fine Arts Foundation.

• By order of the Council of Ministers, from 1971 to 1972 the art classes at Music and Dance Secondary School were expanded, and a new department of art was established with new courses in drawing, painting, sculpting, and handcrafts. The classes were staffed with D. Amgalan as director, Kh. Sukhbaatar as program lead, H. Sukhbaatar, N. Khorloo, S. Tseveg, R. Gombojav, Ch. Damdinjav, and Khatanbaatar as general teachers, S. Dondog, Ts. Budbazar, L. Gavaa, L. Dashdeleg, D. Namkhuu, Dorjsuren, P. Purevdorj, U. Tuya, N. Tumurbaatar, Shambal, Samoshkin, Lhaasuren, Ts. Munkhshin, G. Ochunchimeg, B. Tumurkhuyag, Ch. Gungaasukh, R. Enkhtaivan , B. Purevsukh, Ts. Amgalan, Kh. , Ts. Dagvanyam S.Elbegdorsh was a specialized teacher until the early 1980s. Additionally, instructors from the then USSR arrived to train in tapestry weaving and ceramic, Programs in the fields of embroidery, engraving, monumental decoration, and advertising design were opened from 1972 and 1973 with more than 130 students across the 9 disciplines. In 1973, Resolution No. 177 of the Council of Ministers ordered the allocation of the one-story building adjacent to the State University’s gymnasium to the Ministry of Culture, which improved the organization's classroom situation. The new school programs could now accommodate 160-185 children, with the potential to host additional activities. In 1986, director D. Amgalan was promoted to deputy chairman of the UMA and artist Ch. Ichinnorov was appointed director in his place. Since 1989, Ts. Tsegmed has been working as an artist and since 1996 N. Sergelen has been working as a program director. From 1992, this school served as the centre for fine arts research in Mongolia and its role only grew with subsequent increases in scale. After 1996 it served as the research centre for the arts for the National University of the Arts, starting bachelor’s programs in arts by order of the Minister of Education in 1998 as the Institute of Fine Arts before arriving at its current form in 2010: the School of Fine Arts of the University of Arts and Sciences. The school currently consists of two branches, five departments, more than 400 students, and around 40 artists and instructors under the director, the artist L. Bumandorj. 

• The first truly national art exhibit was organized. Famous Union artists O. Yadamsuren and L. Gavaa played an important role in the organization and promotion of the great art on display. 

• For the 50th anniversary of the People’s Revolution, a monument to Soviet soldiers was erected on Zaisan Hill by Mongolian sculptors Ts. Dorjsuren and P. Zulzaga, and architect A. Khishigt with the help of Soviet Sculptors. Artists Yu. Orshnee and B. Dorjkhand painted the murals of the monument. 

• D. Luvanjamts was awarded the title of “Honored Worker of Art”.

• Ts. Davaakhuu was awarded the Union of Mongolian Artists Award for his series of paintings “Revolutionary Scandal”. 

1972

• On August 11th, the UMA Committee’s publicity department opened a new exhibition in the city of Mandalgovi. 

• From September to October, regional courses on “Ways to Create Art” were organized in the aimags of Bulgan, Khovd, Uvurkhangai, and Khentii with 17 artists participating. 

• The Mongolian Fine Arts Association celebrated the 30th anniversary of its founding with an exhibition of 330 works. 

• D. Damdinsuren is awarded the title of “Honored Worker of Art”. 

• The Union of Mongolian Artists gave out awards to M. Tsembeldorj for his painting “Four Seasons”, Ts. Oivod for “Sukh’s Childhood” and his carvings of the five types of livestock, D. Buyandalai for his sculpture “D. Sukh”, G. Odon for his painting “Uran Saikhanchid” and the band members of SANALBAT, D. Sandagdorj, L. Batsukh, and D. Natsagdorj for their vinyl “New Era of Darkhan City”. 

1973

• A department of ceramics was opened in Umnugovi aimag. 

• A new exhibition of realist art from socialist countries was opened in Sofia, Bulgaria, displaying around 60 pieces. N. Tsultem won the “Best Work” award for his painting “Motto”. 

• L. Namkhaitseren was awarded the title of “People’s Artist”.

• Khovd aimag artist D. Mishig was awarded the UMA Award for his solo exhibition in Ulaanbaatar. 

1974

• An exhibition featuring 413 works was organized in celebration of the declaration of the People’s Republic of Mongolia and 50th anniversary of the founding of Ulaanbaatar. 

• N. Tsultem was awarded the title of People’s Artist. 

• B. Gombosuren was awarded the title of “Honored Worker of Art”. 

• The UMA presented awards to O. Myagmar for his painting “Rural Wealth” and set work for the movie “Tamir’s Daughter”, J. Magsarmaa for his embroidery work “Long live the People’s Republic of Mongolia”, and craftsman S. Damdinjav for his works “V. I. Lenin” and “D. Sukh”. 

 

1975

• From March 20-21, The 4th Congress of the UMA met to discuss the report “Improving the Ideology and Artistic Standards of the Fine Arts”. According to the report, ideological adherence and artistic quality of the fine arts had improved, celebratory events for important anniversaries had been artistically successful, and the range of services offered by the Union had expanded. Representatives from Artists Unions in the USSR, the PRoC, and the GDRoK and party leaders also too part in the 4th Congress. A governing body of the UMA was elected and the first general meeting was held. Election results were as follows: N. Tsultem as Committee Chairman; G. Tserendondog as Fine Arts Foundation secretary; D. Amgalan, L. Gavaa, B. Gombosuren, B. Dorjkhand, R. Odon, D. Sandagdosh, and O. Yadamsuren as UMA secretaries; O. Myagmar as Chairman of the Audit Commision. 

• On July 3rd, the first National Conference of Young Artists took place to discuss the report “Let’s Take Care of Young Artists” and to establish the “Young Artists Union” under the Union of Mongolian Artists. B. Natsagdorj led the association until 1983 and helped to support its goals of sponsoring artistic activities among young people and the holding of an annual exhibition. 

• L. Gavaa, D. Amgalan, and G. Odon were awarded the title of People’s Artist. 

• Cartoonist A. Gursed was awarded the title of “Honored Worker of Art”. 

• P. Tsogzol was awarded the UMA Prize for his painting “Tugalag Tamir” and his set work on the movie “Year of the Eclipse”. 

1976

• Artists from the Union took part in the construction of Ulaanbaatar’s “Wedding Palace”, helping with interior and exterior decoration designed by D. Amgalan and A. Sengetsokhio under the direction of M. Amgalan and L. Chuvamid. 

• L. Chuvamid was appointed director of the crafts factory with A. Sengetsokhio was appointed as the lead design artist. R. Buyanbadrakh was working as director of the general factory, R. Tsedev as director of the printing factory, B. Dorjkhand as city branch director, and B. Natsagdorj as director of the exhibition hall. 

• By decision, D. Ulambayar was appointed director of the “Fine Arts” magazine. 

• The School of Fine Arts celebrated its 30th anniversary and the State Teachers’ College celebrated its 25th anniversary. 

• A monthlong professional development course was offered to local sculptors. 

• A plan was signed for cooperation from 1976-1980 between Mongolian and Soviet artists.

• Artists D. Delegnyam and B. Ravsal were awarded the title of “Honored Worker of Art”. 

 

1977

• The start of an exciting new era of Mongolian Fine Arts began with an exhibition held to present the works of seven Mongolian artists who had graduated from the I. Repin Academy of Fine Arts: Do. Bold, U. Ulziikhutag, B. Ochunchimeg, S. Elbegdorj, N. Sanchir, R. Enkhtaivan, and Ts. Amgalan. 

• A joint plein-air event between four Mongolian and four Soviet artists was organized to be held biannually. Held until 1988, the project intended to sponsor intercultural study between the two countries while providing opportunities to share artistic experiences, learn from each other, and organize joint exhibitions available to both Russian and Mongolian audiences. D. Amgalan, D. Munkh, B. Sanjid, and S. Dondog attended the first session in Russia where they learned about the development of the Baikal-Amur highway and life in Mongol Altai. 

• In collaboration with the USSR Artists’ Union, more than 30 artists from urban and rural areas attended a course on design at the UMA’s Khoroo summer camp. Workshop seminars were conducted by Soviet artists E. A. Rosenblum, A.V. Bokov, and V. K. Egorov. 

• P. Baldandorj organized an exhibition of modern Mongolian line work and crafts that was displayed in the Lao PDR, the PRoC, and North Korea. 

• Embroiderer B. Norolkhoo and sculptor S. Dorjpalam were awarded the title of “Honored Worker of Art”. 

• Artist M. Amgalan was awarded the UMA Award for his solo exhibition. 

 

1978

• A painting forum was held in the city of Choibalsan.

• UNESCO supplied the Union with a $7000 grant for the publication of an album of G. Zanabazar’s art.

• An exhibition of Erdenet-themed art by Mongolian artists was organized to mark the commencement of industrial operations in Erdenet. During this event, the First Secretary of the Central Committee, G. Tsedenbal, presented the piece “Erdenet Household Drawing” by P. Baldandorj to the Erdenet city administration. 

• Artist A. Sengetsokhio is awarded the title of People’s Artist.

• Sculptor D. Damdimaa and Artist B. Sanshid were awarded the title of “Honored Worker of Art”. 

• Artist P. Baldandorj and sculptor A. Davaatseren were awarded the UMA Award for their successful solo exhibitions. 

1979

• Following a plan for cultural cooperation between the Mongolian and French governments, an exhibition of modern French cartoons was held for the first time in the exhibition hall of the Union of Mongolian Artists. Secretary of the Union B. Gombosuren and Ambassador Extraordinary and Plenipotentiary of the Republic of France Jacques Feske emphasized that the French Fine Arts Exhibit would be an important step in fostering friendship and cultural ties between the two nations. 

• The international children’s art competition, “The World Through the Eyes of Child” was announced for “International Children’s Year”. Gold, silver, and bronze medals were awarded to one of five works submitted by children from the PRC, the RoK, East Germany, the USSR, the Lao PDR, the Socialist Republic of Vietnam, the People’s Republic of Bulgaria, People’s Republic of Poland, Czechoslovakia, and the People’s Republic of Mongolia. Chairman of the Central Commission of the Children’s Foundation and Deputy Chairman of the National Committee for the “International Children’s Year” celebration A. I. Tsedenbal-Filatova presented awards to the heads of cultural affairs from three delegations. 

• In the “Olympiad-80” international poster competition held in Moscow, Union artists placed well with L. Bat-Ochir’s “XXII Olympics” winning third place and G. Urshee’s “Fastest, Strongest, Highest” winning first. 

• An exhibition of Mongolian fine arts was held in Kabul. 

• An exhibition of Mongolian watercolours was held in Prague, Czechoslovakia. 

• Artist P. Baldandorj participated in the International Realistic Art Triennale Exhibition in Sofia, Bulgaria and was awarded a diploma for his work “Erdenet Shavkhaa”.

• Mongolian artists served as judges for competitions this year: G. Tserendondog judged for the International Realistic Art Competition in Sofia, Bulgaria (May); D. Amgalan judged for the “Olympiad-80” poster competition (in Moscow May 17th to 24th, in Sofia October 16th); U. Ulziikhutag judged for the International Competition for Young Artists (October 16th to November 1st)

• Artists from the USSR, Bulgaria, North Korea, Czechoslovakia, and East Germany who participated in the international souvenir exhibition in Ulaanbaatar were awarded the Union of Mongolian Artists Award. The UMA Award was also given to two Mongolian artists this year: U. Ulziikhutag for his paintings “Atar’s Evening”, “After the Task”, and “Childhood” and Ts. Dorj for his album “Naran Uurd Mandag”. 

 

1980

• On March 13th, a joint meeting of the Mongolian Writer’s Union, the Mongolian Craftsman’s Union, the Mongolian Art Worker’s Union, and the Mongolian Architect’s Union was held to discuss the implementation of the Central Committee’s resolution on the 60th anniversary of the Mongolian People’s Republic. 

• Preparations began for the publication of the G. Zanabazar album. 

• The Dornod aimag branch of UMA organized a three-day promotional event on “Fine Arts”. 

• Artists Ch. Batmunkh and M. Amgalan and sculptor D. Gurdorj were awarded the title of “Honored Worker of Art”. 

• Artist G. Urshnee won the Lenin Museum’s award for exterior and interior decoration for his copper ornaments and stone inlays. 

• Artist Kh. Sodnomtseren was awarded the UMA Award for his paintings “Dornod Steppe” and “Cloudy Day”. 

1981

• MKhZE and the Union of Mongolian artists issued a joint resolution on awarding “the best works of young artists”. 

• To celebrate the historical first space flight by a Mongolian, artists helped organize many events such as the “Space Mandal” art exhibition. P. Baldandorj’s “Historical Meeting” statue was taken into space by the joint Soviet-Mongolian team. 

• B. Gombosuren was awarded the title of People’s Artist. 

• Ch. Gungaasukh and L. Chuvaamid were awarded the title of “Honored Worker of Art”. 

• Sculptor G. Luvsandorj was awarded the State Prize for his work on exterior and interior decoration that had been recognized by the Lenin Museum.  Ya. Urjnee was awarded the State Prize for his exterior and interior design works. 

• The UMA Award was awarded to Ts. Baid for his solo exhibition and to B. Purevsukh for his painting s “Steppe Heroes” and “Beginning”. 

 

1982

• The Arkhangai aimag UMA branch held a forum on “Painting”. 

• From December 3rd through 4th, the 5th Congress of the Union of Mongolian Artists was held where N. Tsultem discussed the report “The Role of the Artist in depicting the Era”. According to the report, “the Union of Mongolian Artists now has 293 members and more than 560 associated artists, of which there are 12 State Prize recipients, 18 UGZ recipients, and 3 People’s Artists. There are more than 1000 artists at work in the Union factories and urban and rural Union branches, with art services successfully and efficiently provided. The Union of Mongolian Artists and its affiliated organizations have become a large division of the arts, completing 11.7 million MNT worth of assignments in just 5 years.” The meeting also discussed the report from the board of directors, potential amendments to the Union charter, and the election of Union leadership: N. Tsultem was elected chairman of the board, B. Gombosuren as deputy chairman, and D. Amgalan, L. Gavaa, B. Dorjkhand, G. Odon, D. Sandagdorj, M. Butemj, and Ts. Vanchig as board member. B. Ravsal and P. Bayasgalan were approved by the board of directors. Also said at the congress was that “the governing body of the Union of Mongolian Artists will convene in Congress every 5 years and convene in general assembly every year, with the general assembly electing secretaries and, from those secretaries, a chairman and deputy chairman of the Board.” Furthermore, the Congress would: 

1. Coordinate the ideological and organizational activities of the Union. 

2. Supervise the work of the Union and its affiliated arts organizations and organize the implementation of Union decisions. 

3. Establish and approve the Fine Arts Foundation, as well as a commission to assist artists. 

Additionally, the secretaries of the UMA would organize the implementation of decisions made by the Congress and General Assembly of the UMA. In order to develop the creative activities of members, the Union would operate the following sections:

1. Painting 

2. Sculpting 

3. Drawing 

4. Folk Art 

5. Theater, film, and stage decoration

6. Research and Criticism 

7. Monumental Decoration 

8. Ornaments

9. Young Artists’ Union

    All activities and decisions of the People’s Republic of Mongolia’s Fine Arts Foundation such as     the Congress, the general assembly, the Mongolian Trade Unions Congress, and the Union of     Mongolian Artists will be overseen by the Board of Directors. 

    The Mongolian Trade Union Association Congress directly manages the operation of 21     branches in 18 aimags and 3 cities. The administration consist of a chairman, a deputy director,     an art department, an administrative personnel department, a farm, a finance department, a     business department, and an exhibition hall. 

    The National Art Foundation of the People's Republic of Mongolia includes the Chairman and     General Director, Finance and Economy Departments, with many specific arrangements made to     cover industries such as hand crafts, monumental ornaments, and art shops to produce national     souvenirs and to manage the production of large and small monuments, publications, and     decorations.  

    The charter of the Mongolian Confederation of Trade Unions includes additional provisions to     expand its relations with international and national art organizations, associations, and people,     and to ensure that members of the Confederation enjoy copyright protection in accordance     with state laws and regulations. 

• The UMA celebrated its 40th anniversary and was awarded the Order of the Red Banner of Labor by the Party and Government, emphasizing that we can “…appreciate the success of our people and our artistic and industrial work towards the constant development of socialist competition.”

• Artist M. Tsembeldorj was awarded the title of “Honored Worker of Art”. 

 

1983

• On July 28th, famous Danish caricature artist Herluf Bedstrup visited Mongolia. 

• Exhibitions of Mongolian artists and craftsmen were held in England, Uzbekistan, Afghanistan, and the Soviet Union. 

• Foreign exhibitions were held in Mongolia featuring works of art from Denmark, the Soviet Union, Cuba, Yugoslavia, Hungary, Bulgaria, Italy, and the Czech Republic. 

• Sculptor A. Davaatseren and artist A. Dorchindavaa were awarded the title of “Honored Worker of Art”. 

• The UMA Award was awarded to artist S. Jamts for his solo exhibition, M. Butemj for his decorative art “The Meeting of Lenin and Sukhbaatar” and “Peaceful Mongolia”, and Ch. Gungaasukh for his stage production of the drama “Scientist’s Speech”.

 

1984

• From August 1st to 30th, a training course was organized in Dornod and Zavkhan provinces to improve the interior design of clubs and the Red Corners and to design a variety of visual aids for rural clubs and Red Corners. 

• From August 21st to 31st, a “Painting” forum was held in Nomrog sum of Zavkhan aimag. Based on Resolution No. 34 of the Central Committee and the Council of Ministers, the activities were aimed at improving the cultural services available to the rural population, promoting the fine arts among workers, and strengthening the cooperation between artists and herders. 

• The UMA Award was awarded to artist D. Gungaa for his “Our Future” and “Commissar Tsevegjav’s Life” series, Ts. Jamsran for his solo exhibition, Ts. Enkhjin’s “Naadam” painting trilogy and paintings “My Daughter” and “Countryside Mountain”, and Yo. Jigmiddulam for his successful participation in the Dundgovi 10-day cultural event. 

1985

• Mongolian works were presented in 24 foreign exhibitions and were presented for the first time in Nicaragua, Egypt, Spain, Ethiopia, India, Austria, Finland, and Italy. 

• An exhibition of young Mongolian artists was organized at the 12th Youth Festival in Moscow. 

• A poster contest was organized for the 40th anniversary of the United Nations. 

• The UMA Award was awarded to artist L. Gursed for his solo exhibition and D. Tortogtokh for his work on “Queen Tuul”. 

1986

• A large-scale exhibition of fine arts was held as part of the “Mongolian Culture Days” in Moscow and Yakutsk. 

• For the first time, an exhibition dedicated to portraits was organized. 

• The “Five Years of Walking” exhibition dedicated to the 65th anniversary of the People’s Revolution opened. 

• Aimag branches won 110 medals at the All-People’s Art Festival. 

• Mongolian artists R. Altankhuyag, Do. Bold, G. Dunburee, and E. Sukhee attended the “Friendship Road” plein air, travelling the route of “Ulaanbaatar-Moscow-Bayankhongor-Irkutsk-Barnaul-Elist”. 

• The State Prize was awarded to artist M. Tsembeldorj for his works on nature, sculptors Ts. Amgalan and A. N. Burganov (USSR) and architects D. Choijiljav and E. V. Misozhinkov for their light statue installation “Victory” (Dornod aimag, Khalkh Gol sum) dedicated to the memory of the Mongolian-Soviet soldier and the 45th anniversary of their victory at Khalkh River.

• The UMA Awrad was given to embroideree U. Lunya for the “Khangarid” and “Zee Bad” murals, to artist B. Chogsom for his solo exhibition, and to artist S. Tugs-Ogun for his series “Hiroshima will not be forgotten”. 

 

1987

• In April, artists Natsagdorj Balagnsuren, who had been operating in the Khuvsgul taiga since 1984, worked hard to transform a two-room log cabin from the Executive Administration of the Khural of Ulaan-Uul sum of Khuvsgul aimag into an art’s workshop for the local UMA branch. Consisting of a room for resting and another for creating works, the workshop had everything a visiting artist would need to visit the countryside. Using this workshop as a base, 19 artists participated in two plein air tours: Blue Lowlands of Darkhan and Horidol Saridag. The UMA Committee supported B. Natsagdorj’s project to establish an art gallery in Ulaan-Uul sum by donating 40 works from 30 artists to Khuvsgul aimag. 

• Exhibitions of Italian, Chinese, Laotian, and Cuban artists were held, including an exhibition of drawings by renowned Italian artists R. Guttuzo and R. Vespignani. 

• The UMA Award was awarded to artist N. Tsultem for his book “Mongol Zurag”, Do. Bold for his works “Steppe Song” and “Autumn”, and to R. Altankhuyag for his works “Local Herder”, “Factory”, and “Caspian Fisherman”. 

 

1988

• Artists Ts. Vanching, D. Sainbayar, and Erdenmunkh, and architect Narangerel took part in a design workshop for Soviet artists on the banks of the Senech River near Moscow. The workshop was held to celebrate the 200th anniversary of the birth of the great writer A. S. Pushkin and to discus his life and work. 

• The sixth (VI) Congress of the Union of Mongolian Artists was held from March 23-24 at the Opera House. Chairman of the Union N. Tsultem delivered a speech at the conference to over 204 delegates from both urban and rural areas on the subject of “Increasing the social role of contemporary artists”. Representatives from the Union of Artists of the USSR, the PRC, East Germany, and the Czech Republic were also in attendance. During the congress, the general assembly elected secretaries of the Union committee and approved their work schedules. Those elected and their jurisdictions were as follows:

1. N. Tsultem – General consultant, folk art, volunteer art, and personnel issues

2. D. Amgalan – USF’s total profit, design, prototypes, and the Young Artist’s Union 

3. M. Butesh – Artists’ skills, political education, upbringing, discipline, and public benefit

4. Ts. Amgalan – All issues related to the sculpture department and the use of bronze castings

5. D. Sandagdorj – Criticism, all advertising and publishing 

6. N. Sandagsuren – All kinds of monumental and urban decorations, decorating department

7. N. Sanchir – All foreign and domestic exhibitions

8. Do. Bold – manages the work of the Art and Qualification Commission and the work of the local trade union branch

9. Ch. Gungaasukh – popular art, aesthetics education (children)

For the Heads of Different Art Sections:

1. Painting – R. Duinkhojav

2. Sculpting – Ts. Amgalan

3. Drawing – O. Darambazar

4. Folk Art – Ts. Davaakhuu

5. Theatre, film, and stage decorations – P. Tsogzol

6. Research and Criticism – R. Enkhtaivan

7. Monumental Decoration – N. Sandagsuren

8. Ornaments – Ts. Otgonpurev

9. Secretary of the Young Artists’ Union – Ts. Ekhnshin

• Specialized exhibitions of drawings, Mongolian paintings (Mongol Zurag), and carvings were organized. 

• This year, the Union organized 13 travelling exhibitions and 31 stationary exhibitions for a total of 44 exhibits. Of these 44, 11 were foreign and 22 were in rural areas. 

• The UMA Award was awarded to artist R. Duinkhorjav for his works “Lullaby” and “Golden Rain”, to sculptor R. Enkhtaivan for his work “Naran Uurd Mandag”, and to sculptor Ts. Dorjsuren and architect N. Urtnasan for their joint work “Shchetinkin Statue”. 

 

1989

• More than 10 Soviet designers including I. Maximov, A. Natarkin, N. Panteleeva, Baklanov Sh., and I. P. Arkhipov were invited to Ulaanbaatar for a design workshop. During the workshop, a comprehensive discussion on the use and conduction of such topic as Peace Avenue, pedestrian walkways, ger districts, D. Sukhbaatar’s birthplace (Amgalanbaatar), the banks of the Selbe River, heating lines, and national holidays took place. Participants displayed their work at the Museum of Fine Arts and Government House with exhibitions being praised by UTT chairman Sh. Batmunkh. The event was concluded with senior lecturer E. A. Rosenblum being awarded the medal of ”Friendship”. 

• In Octorber, the UMA Committee organized a forum in Dundgovi aimag to promote the fine arts. 

• In November, the “Second Conference of Young Artists” was held in Ulaanbaatar.

• In this year, 99 exhibitions were organized across foreign, urban, rural, and industrial locations. This is the largest number of exhibitions held in one year in the Union’s 70-year history.

• Artist B. Purevsukh was awarded the state prize for his work as the general artist for the movie “Mandkhai Tsetsen Khatan”. 

• The UMA award was awarded to artist G. Soosoi for his paintings “Admired Erdmii”, “Nutgiin Ayalguu”, and “New Snow” and to B. Tumurkhuyag for his successful stagings of “Galilean Life”, “Hot Place”, and “Missed Love” 

​

• ​

1990 – present             Union of Mongolian Artists.

1990

• In collaboration with the Union of Mongolian Architects, the magazine “Fine Arts and Architecture” was launched under editor-in-chief Ch. Altankhuyag, a former journalist and author. However, because of financial difficulties, publication stopped after the fourth edition.

• At this time when the country was transitioning into a new society, artist convened at an extraordinary congress on June 18th to relieve N. Tsultem of his duties as Union chairman and to appoint M. Butemj in his place and to elect R. Enkhtaivan as deputy chairman. The change was made in hopes of bringing a “new structure, composition, and approach” to the organization to match the new society. The former UMA Committee leadership left the following as their legacy: UMA branches in all 18 provinced and 2 cities, the Crafts Factory, the Monumental Decorations Factory, the B. Sharav Printing and Decorating Factory, the one-story sculptural building on the fence of the State Circus, a two-story building for housing the Foundation’s collections at Zuun Ail art, a workshop in Gachuurt, a utility fence and warehouse in Tavan Buudal, a new three-story brick house and crafts factory, the building of the Senior Artists’ Cooperative in Dambadarshaa, the artists’ cabin in Ulaan-Uul sum (Khuvsgul aimag), the UMA Committee at the mouth of Sadivlan, around 60 small summer cottages and summer camp for the printing industry, the “Zurag Urlal” store in Sukhbaatar Square, the Sculpture Department building, the garage building where the stone lion of the D. Sukhbaatar statue had been engraved on TV, the Exhibition Hall of the UMA, and a strong base for future growth such as the account worth 28 million MNT. 

• The new management allocated 1 million MNT to each of the fine arts collectives under the Union. 

• The Foundation of a UMA art of Zuun Ail was established. “N. Tsultem, who led the UMA Committee for many years, declined the invitation of his disciple. I have been dreaming of owning my own art for 30 years” said new chairman M. Butemj.  

• Work began on the engraving of “The Epic of Chinggis” based on D. Tortogtokh’s original design. Under his instruction, Tsogbayar, Baasandorj, Bazarsad, Gantumur, and Damdinsuren co-created the first large-scale carving and placed it in Hall A of the Government House. 

• Artists played an active role in the democratic revolution. Sculptor Hainzang Tsegmid was one of those youth who went on a hunger strike in Sukhbaatar Square to demand the resignation of the Politburo. 

• Film artist O. Myagmart was awarded the title of “Honored Worker of Art’. 

• The UMA Award was given to artist G. Tserendondog for his works “Mother Khairkhan”, “On Blue Horse Mountain”, and “Khukh Serkh Mountain Range”, to Ch. Bazarvaan for his works “Gobi Hymn”, “Saxaul Gobi”, and “Hundred Treasures”, and to Ts. Enkhjargal for his paintings “Degree” and “Steppe Laughter”. 

1991

• The Government of Mongolia approved 3 million MNT from the State Fund for the purchase of works of art. 

• A monument was erected in the Kherlen Khuduu Aral in Khentii aimag to mark the 750th anniversary since the writing of the Secret History of the Mongols. The monument was based on an original design by sculptor R. Lhamsuren. 

• Additionally, to celebrate the 750th anniversary of the Secret History of the Mongols, an exhibition was held to feature new works of fine art. 

• Artists Ch. Gungaasukh, G. Tserendondog, and P. Tsogzol were awarded the title of “Honored Worker of Art”. 

• The UMA Award was given to artist-sculptor pair R. Lhamsuren and Ts. Amgalan for their Secret History of the Mongols monument and to artist Ts. Munkhjin for his vintage paintings in the new printing of the Secret History of the Mongols. 

 

1992

• On December 4th the 7th Congress of the UMA was held at Peace Palace. The Congress was attended by 142 member artists from urban and rural areas and around 60 invited guests. Chairman of the UMA Committee M. Butemj delivered a speech title “Let’s dedicate our art to the people”, wherein he stated that “Mongolian fine arts have gone through half a century of change, and while they have always reflected the history of society and have made significant contributions to the formation of public opinion and the collective societal consciousness, under the leadership of one party they became a tool of propaganda and have devalued our arts. We therefore must continue to reaffirm the role of art in our society, to not be subject to any political pressures, and to uphold the virtues of art by art’s own law.” Afterwards, B. Natsagdorj discussed the report of the Board of Directors and such issues as approving the rules and plan of action for the UMA and electing the Board of Directors. 

• An exhibition of more than 200 works was organized to celebrate the Union’s 50th anniversary.

• Artists S. Dondog and M. Butemj were awarded the title of “Honored Worker of Art”. 

• The UMA Award was given to artists G. Bayar for his painting “Portrait of the Poet Choinyam”, Ts. Narangel for his paintings “Shaman” and “Old man”, Sh. Tsolmonkhuu for his “Chinggis Khaan” pottery and felt designs for the Government House, S. Sarantsatsralt for his “Mongolian bird” and “Arga Bilig” rugs, S. Torban for his “Paper” solo exhibition, and D. Myagmar for his “Burte Chono” and “Zuch” paintings. 

1993

• Chairman of the UMA Committee R. Enkhtaivan reduced the former staff of 60 to 9 people as a result of difficulties with the market transition and began construction of buildings A and B of the United Art Center. In the Socialist period, the assets and income of all the organizations and branches of the UMA were managed by the central organization, but the transition to the free market saw all of these transformed into separate entities under the guise of democracy, resulting in the factories and buildings formerly under Union management being privatized and squandered. It was also recognized from a number of petitions that the rural branches of the Union were in a difficult situation due to a lack of orders and the reduction in staff forced by the economic instability. 

• 14 works by female artist were shown in a “Show Trade” exhibition in New York City, USA. 

• The UMA award was given to artist G. Dunbureeg for his paintings “Zereglee”, “Burkhan Khaldun” and “Da Khuree”, researcher D. Dashbaldan for his research and promotion of the “Art of G. Zanabazar”, Artist Ts. Tsegmid for his paintings “Dinosaur”, “Sleeping Heart”, “Peak”, and “Golden Triangle”, and sculptor B. Khimori for his sculptures “Egshiglen” and “Encounter”. 

 

1994

• The opening of the A and B buildings of the United Trade Unions Association marked the first time artists and artisans could openly create their work without ideological limitation on subject, medium, or genre. Workshop A has a total of 46 rooms ranged from 12 to 72 square meters, as well as a library for artist and a storage room for old works. Workshop B consists of 45 workshops ranged from 10 to 72 square meters. 

• For the first time, a trade fair was held in the UMA exhibition hall for the purpose of showing the public the activities of firms and companies emerging in the new Mongolian society. 

• Artist D. Bold was awarded the State Prize of Mongolia for his works “Starry Sky Around…” and “Mother and Daughter”. 

• The UMA award was given to artist Z. Uyanga for her solo exhibition. 

1995

• Construction of a sculptor’s workshop began in September. 

• On December 8th, the 8th Congress of the UMA convened at the State Philharmonic Hall. Participants listend to a report given by Committee chairman R. Ekhtaivan. In his report, he stated “we had almost no idea about the legal and economic status and operation of an arts organization in a market economy, so we discussed the approval of the ‘Temporary Rules of the UMA’ and the ‘Nine Aspirations’ platform”. The last three years have seen significant changes in our operation, but since that congress we have gained more experience in the field of market economy law and have been able to devise a clear policy on fine arts management in the market. If we were the only country in the world without artists, it would be a small achievement that the last three best art houses have been put into use, however the rooms have not been assigned, and range in size from big to small.” Following this discussion, elections and appointments were held: Ts. Enkhjin as Chairman, L. Bold as deputy chair, B. Bayasgalan as Printing Factory Director, O. Sosor as Union Exhibition Hall Head, S. Sodnomtseren as Head of the unified art observation division, Ch. Khurelbaatar as Union artist, and Ts. Tsgmid as Director of the Art Research Center of the University of Arts and Sciences. 

• The Supervisory Boards of the Union of Mongolian Artists was also elected with three members: chairman B. Khimor and general members B. Natsagdorj and Kh. Sodnomtseren. 

• The UMA Award was given to artists L. Ganbold for his paintings “Rainy Summer Evening” and “Early Summer Month”, Ch. Khurelbaatar for his works “Queen Anu” and “Autumn Hills”, L. Bavuudorj for his work “Eight Sharga”, Sh. Mukhtsetseg for his works “Musical Wind” and “Queen”, and B. Bayasgalan for his works “Saridgiin Back” and “Wait for the Land to Run”. 

1996

• United Art building A was extended, and a sculpture workshop installed. With 10 new extensions and five sculpture workshops, 15 artists working in noisy and hazardous fields such as welding and metal casting had been provided workshops. 

• UMA Committee chairman Ts. Enkhjin drew up a plan to expand the exhibition hall which had become a “platform for the fine arts”. 

• Sculptor N. Shambaa was awarded the title of People’s Artist. 

• Artist D. Tserenpil and sculptor L. Bold were awarded the title of “Honored Worker of Art”. 

• Artist Ts. Tsegmid was awarded the State Prize for his work “Blue Sky Peace Conference”

• The UMA award was given to the sculptor who created the Megshid Shanraiseg idol and to artists Kh. Ganbat for his works “Morning of the Steppe” and “Native Goods”, N. Adiyabazar for his works “Break”, “Still Life”, and “Moonlit Night”, and G. Lhagvasuren for his works “Blue Evening. The Secret Apple” and “Song”. 

1997

• The first auction of Mongolian art was successfully organized at the Ikh Tenger Presidential Complex. The profits from sales were the first investment in the expansion of the UMA exhibition hall. 

• The UMA award was given to sculptor A. Ulziibaatar for his wooden sculptures “Gobi”, “Happiness on the Steppe”, and “You are a liar”, to artists L. Molomjamts for his paintings “Shivnee” and “Golden Autumn”, Sh. Chimeddorj for his paintings “Rotating World” and “Black Horse”, and D. Urtnasan for his mongol zurags “Cloud Mother” and “Blue Mongolia”. 

1998

• The UMA Committee gratefully received a two-story building where the UMA Committee is housed. By tripling the size of the previous building from around 500 sq meters to 1581 sq meters, the Union now had the capacity to host around 50 exhibitions a year and, through ownership of the building, could now present their art for free. 

• By renovating the 1000 square meter building where the monumental design factory was housed into the 1700 square meter “Passage” shopping center, the UMA now had a source of income to sponsor the artists’ social welfare program. 

• Artists P. Baldandorj and D. Munkh were awarded the title of “Honored Worker of Art”. 

• The UMA Award was given to artist Ch. Boldbaatar and sculptor G. Sereeter for their “Melody-2” joint exhibition and to artist N. Lhagvasuren for his mongol zurags “Seven Treasures of the State”, “Messenger of the Great Power”, and “Temuujin”. 

• Artist Ts. Erdentsog defended his doctoral dissertation on “Color Harmony in 20th Century Mongolian Art”. He became the first doctor of the doctoral degree council established at the State University of Education’s School of Fine Arts and Technology. 

1999

• On January 13th, the 9th UMA Congress was held at the State Philharmonic Hall. Chairman Ts. Enkhjin presented a report on the work accomplished since the last congress. Organizational issues were discussed and Ts. Enkhkin was re-elected to the chairman position by 78% of the delegates. Other appointments were as follows: L. Bold to deputy chairman, for the general board members R. Enkhtaivan (Head of the Intellectual Property Office), Ch. Ichinorov (Director of the State Property Committee), Ts. Amgalan, Do. Bold, Sh. Tumurbagana, L. Batchuluun, Ts. Narangerel (teacher at DUDES), and for supervisory committee Kh. Tsegmid, P. Tsogzol, and Kh. Sodnomtseren. According to the resolution of the Congress, “In accordance with the requirements of the Union of Mongolian Artists Charter, in the event of the sale or other transfer of ownership or conversion of the UMA real estate of 1581.27 sq meters in the 1st Khoroo (Mongolian National Real Estate Permit № А/626) and of 5219.1 sq meters in the 11th Khoroo, the issue must be resolved by a majority vote with participation of all members of the UMA. This resolution is valid for all periods of the UMA’s operations. Afterwards, the decision was made “to instruct the leadership of the Union of Mongolian Artists to resolve the issue of the privatization of the former Monumental Decoration Factory, a major Union asset, from an illegal auction by appealing to the proper legal authorities.” 

• Artist E. Suree and Sculptor Ch. Dashzever were awarded the title of “Honored Worker of Art”. 

• The UMA award was given to artist Ch. Ichinorov for his works “First Snow”, “Evening”, and “Asralt Khairkhan”, L. Bumandorj for his “Human Stone” line drawing and “Foal” and “My Favorite Nature” paintings, sculptor Kh. Tsegmid for his statue of “National Hero L. Dandar”, and artist M. Erdenebayar for his solo exhibition. 

 

2000

• The E&J Frankel Galley in New York City, USA, and the Som Arts Gallery in San Francisco hosted and the “Mongolian Colors” exhibition with 50% of proceeds going to impoverished orphans. 

• With the support of the Mongolian Open Society Institute (Soros Foundation), artist biographies were prepared in English and Mongolian, and the first digital archive was created. Using this material, 2000 copies of the “UMA-2000” poster, a collection of the biographies and works of 254 artists, were published and distributed to government officials and Parliament members free of charge. 

• By order of Ulaanbaatar city, 18 sculptors repaired the capital’s monuments. 

• Organizational support of bronze drying and ceramic crafts was established. 

• People’s Artist and State Prize recipient N. Tsultem was awarded the title of Labor Hero of Mongolia. 

• The UMA Award was given to sculptor L. Gankhuyag for his sculptures “General J. Lhagvasuren”, “Leader of the Century Yu. Tsedenbal”, artist Ya. Oyunchimeg for her portraits “Dream Gobi” and “People’s Actor Yu. Oyun”, blacksmith D. Enkhdavaa for his “Queen of the Steppe” and “Red Girl” metal sculptures, and art critic L. Batchuluun for his book on “Felt Quiliting Art”. 

 

2001

• The “Art Center” project entered development within the framework of the UNESCO Participation Program and provided the exhibition hall with air conditioning, lighting, TV, and aging equipment. 

• On December 27th, the 10th UMA Congress was held at the State Philharmonic Hall. The Union work report was discussed, and the governing body election took place. The election results were as follows: L. Bold as chairman, Ch. Khurelbaatar as deputy chairman, and Sh. Chimeddorj, S. Sarantsatsralt, Ts. Munkhjin, B. Tumurbaatar, D. Gungaa, and D. Tortogtokh as general board members. 

• Artist Ts. Oidov was awarded the title of “Honored Worker of Art”. 

• Art researcher Ts. Uranchimeg and designer D. Dashdorj were awarded the UMA award for their work on the “UMA-2000” book. 

 

2002

• Different programs were drafted and approved by the Board of Directors such as the “Recruitment of New Members to the UMA”, “Exhibition” ,”Ownership of Arts” and “Award of the Union of Mongolian Artists” resolutions. 

• Khaan Bank begins its cooperation with the UMA in successfully organizing events to promote the fine arts and the sale of member artist works. 

• The exhibition hall of the UMA was renamed to the “Art Gallery”. 

• The People’s Crafts Festival was organized in cooperation with the Ministry of Education, Culture, and Science. 

• Preparations were made for a TV-gallery program on artists at the suggestion of sculptor and artists S. Sarantsatasralt in cooperation with the channel MN-25.

• On December 4th and 5th, Mongolia celebrated the 60th anniversary of the Mongolian Fine Arts Organization being established with a celebratory meeting held on December 5th in the Great Hall of the Government House. President of Mongolia N. Bagabandi congratulated the Union of its accomplishments and its work to “preserve, inherit, and enrich the traditions of our ancestors who created a unique and precious heritage” and that “The UMA and its contemporary artisans have made and continue to make invaluable contributions at home and abroad to a great treasure trove of art that exemplifies the genius of Mongolian fine arts around the world…I would like the emphasize that your skills and efforts are of great importance to the whole nation, as arts and culture, especially the fine arts, have a special role to play in nurturing a nation’s self-awareness, self-confidence, and pride.” L. Bold, chariman of the UMA Committee, gave a presentation on the “60 Best Works of Mongolian Fine Art” and many respected artists such as D. Amgalan, state prize recipient and People’s Artists R. Enktaivan, state prize recipient Ts. Enkhjin, state prize recipient P. Baldandorj, National Gallery of Art artists Batmukh spoke at the event. The documentary “60 years of UMA” was screened, the exhibition of best works “Autumn-2002” was opened, and over 40 artists were awarded with state medals and titles by decree of the President of Mongolia. 

• Artist B. Chogsom is awarded the title of “Honored Worker of Art”. 

• Artist Ts. Enkhjin is awarded the state prize for his works “Tenger’s Place”, “Migration-2”, “Window-6”, and “Window-9”. 

• The UMA Award was given to artists B. Tumurbaatar for his works “Design”, “Revolutionary Time”, and “Egshiglen”, and R. Ariunbold for his “Power of Peace” leather works series, and to sculptors L. Bold for his “Golomt” relief and statue of D. Tumur-Ochir, and D. Bat-Erdene for his works “Design. Micro World” and “Scorpio”. 

• 1,757,000 MNT was granted to 27 members and employees of UMA, 2,435,00 MNT to 54 senior artists and 68 retirees who worked for foreign companies, and 3,135,500 was provided for general art research and advocacy. 

2003

• The “Spring” exhibition issued awards for entrees. Artist T. Khulan, for their work with computer graphics, was awarded the first place prize of a diploma and cash prize. 

• In June, to highlight the beauty of Mongolia’s natural landscape, the “Through the Beautiful Country of Mongolia” project was developed and implemented by the Minister of Education, Culture, and Science A. Tsanshid. To meet project goals, 42 artists traveled a total of 16,450 km across Mongolia in 7 different directions.

• In June, 11 artists from Orleans, France were hosted for a plein air and exhibition. 

• In December, the first “Best Art of the Year” exhibition was organized, displaying 84 works from 74 artists selected from exhibitions earlier that year. The “Best Art of the Year – 2003” catalog was published afterwards. 

• The Arts Council of Mongolia, in cooperation with the Mongolian Banking Association, organized a “Grand Auction”, wherein 35 works were sold for a total 36.9 million MNT. This major event showed great appreciation for the arts while supporting the lives of artists. 

• The “Best Exhibition of the Year” was awarded to the “Winds of Artists Residence” exhibition at the Asian Art Museum in Fukuoka, Japan for the contributions of award-winning artists Ch. Boldbaatar, L. Gankhuyang, and S. Sarantsatsralt. 

• Sculptor L. Gankhuyag was awarded the state prize for his monuments “Yu. Tsedenbal”, “J. J. Lhagvasuren”, and “Sh. Otgonbileg”. 

• Artists S. Dagvadorj was given the UMA Award for his “Space and Me” exhibition. 

• Art researcher L. Batchuluun successfully defended his doctoral dissertation “Felt Art and Symbolic Organization”, becoming the first Doctor of Science and Professor of Arts in Mongolia. 

 

2004

• UMA members decided to hold a free exhibition at the Art Gallery.

• American scholar Jack Weatherford published his book on Mongolian history “Genghis Khan and the Making of the Modern World” in New York with 1 million copies. 4 works by artist and sculptor S. Badral were featured in the book. 

• The “Best Art of the Year” exhibition and auction were organized under the authority of Prime Minister of Mongolia Ts. Elbegdorj. 

• On December 12th, the 11th UMA Congress was held at the State Philharmonic Hall. L. Bold, UMA chairman, discussed the “Report on the Work Done by the UMA Committee from 2002-2004”. Furthermore, the report from the Supervisory Board of the UMA was discussed. Elections were held with results as follows: L. Bold re-elected as chairman; P. Tsegmid as deputy chairman; S. Badral, D. Gungaa, Ts. Munkhjin, B. Tumurbaatar, D. Tortogtokh, S. Sarantsatsralt and J. Chimeddorj as members of the Board of Directors; Ts. Amgalan as Supervisory Board chairman, and J. Nanzaddorj and D. Erdenebileg as Supervisory Board members. 

• Artist D. Tsedendorj was awarded the title of “Honored Worker of Art”

• The UMA Award was given to artist M. Lhagvadorj for his “Khotond” and “Sudalbar” paintings and “Motherland” exhibition, to sculptor B. Denzeng for his “Complex of Great Powers” statue, and to artist P. Tsegmid for his “Sun Eclipsed Glass” installation and “Great Peace of Eastern Mongolia” painting. 

2005

• Artist S. Gungaasukh was awarded the title of “People’s Artist”.

• Artists Ts. Baydy, Ts. Munkhjin, and G. Purevbat were awarded the title of “Honored Worker of Art”. 

• Sculptor and Artist S. Sarantsatsralt was awarded the state prize for his “Mongolian Mother” and “Ancestors’ Memories” sculptures, “Dear Prince” and “The Gift of Cunning” paintings, and his “Bagged Things” exhibition. 

• The UMA Award was given to artist N. Orkhon for his “Poet D. Purevdorj”, “Artist Ts. Dorjpalam”, and “Jamukh” portraits and to Sculptor S. Badral for his “Dream” sculpture and “Horse-Heritage” series of research papers.

2006

• To celebrate the 800th anniversary of the founding of the Mongol Empire, the UMA Committee organized a competition with a prize fund of 20,000,000 MNT with 100 works of paintings, sculptures, line drawings, Mongol zurags, and folk crafts from 90 artists being displayed in a “GREAT MONGOLIA” exhibition. 

• Another project to celebrate the 800th anniversary of the founding of the Mongol Empire was the construction of the National Reverence Hall which was initiated by Union artist in August 2005 and opened July 10th, 2006. Artist contributions include:

1. An installation of bronze sculptures of Genghis Khan, the great kings of Mongolia, and notable members of the Mongol army in front of the Government House of Mongolia. The installation was design by L. Bold and carried out by around 30 artists. 

2. N. Amgalanbaatar’s original 18*8-meter glass paintings “Great Mongol Empire” and “Mongolian States” in front of the National Reverence Hall.  

3. Artist and sculptor D. Naranjav design the “State Seal Monument” which was installed on the north side of the Government House. 

4. A monument to the book “Secret History of the Mongols” was unveiled at the National Reverence Hall. The original work was designed by G. Tortogtokh and artist M. Butemsh and was created with the help of their colleagues. 

5. The “Great Idol” portrait of Genghis Khan was created in Mongol zurag style by Buddhist monk G. Purevbat and installed in the Hall. 

Additionally, a complex with a statue of Genghis Khan was constructed by artist in Undurkhaan, the capital of Khentii aimag. 

• The “Chinggis Khaan Heritage” Museum was started by the sculptor and artist S. Badral from his private collection. 

• Artists Sh. Chimeddorj and S. Badral and art researcher Ts. Uranchimeg participated in the International Inkjet Biennale. 

• The Urtyn Duu Morin Khuur Open-Air Theater and the “Sun of the Beautiful Zambuu Continent” monument were constructed in honor of the great singer N. Norobanzad on the Great Stone of Gurvan Saikhan sum, Dundgovi aimag. The complex was designed under the direction of award-winning artist P. Tsegmid. 

• More art installations such as “Morin Khuur” in Darkhan and “Ulen Ekh” in Baruun-Urt, the capital of Sukhbaatar aimag, were created.

• Engraver L. Chubaamed and artist Ts. Dorjpalam were awarded the title of “People’s Artist”. 

• Engraver D. Tortogtokh was awarded the title of “Honored Worker of Art”. 

• Artist Sh. Chimeddorj was awarded the state prize for his works “Degree”, “Blue Wind of the Land” and “Song of Mothers”.

• The UMA Award was given to Sculptor L. Bold and architect M. Tselmeg’s National Reverence Hall, the complex of bronze statues in front of the Government House, a unique edition of the “Secret History of the Mongols” by D. Tortogtokh, the “Great Idol” portrait by G. Purevbat, the calligraphy piece “Calligraphy of Genghis Khan” by D. Battumur, the works “Whip of Heaven”, “Star Tenger”, and “Warrior Hero” by Ts. Olzbaatar, and the works “Heavenly Commandment” and “Summer” by D. Badam. 

 

2007

• ON the 65th anniversary of the Mongolian Fine Arts Organization and the 60th anniversary of the established of regional UMA branches, the UMA Committee organized a “Blue Sky Tour”. Under the project, Khan Shargalant, a scenic part of Bugat sum, Bulgan aimag, organized a “Through the Land of the Blue Sky” festival which brought together more than 200 urban and rural artists. The opening ceremony was attended by D. Batchuluun, Chairman of the Governor’s Office of Bulgan aimag, Sh. Orkhon-Tuul, Technological Methodologist of the Bulgan aimag Education and Culture Department, and D. Galbaatar, Head of Marketing and Information for the Erdenet Mining Corporation, among other officials. Participants in the “Blue Sky Country” tour planned to cover 22,481 km across 21 aimags and 3 cities which had been divided in six zones: Khuvsgul-Zavkhan-Arkhangai; Dundgovi-Dornogovi-Umnugovi; Uvurkhangai-Bayankhongor-Gobi Altai; Khentii-Dornod-Sukhbaatar; Uvs-Bayan Ulgii- Khovd; Selenge-Bulgan-Tuv. 16 artists were assigned to each of the six zones. The tour was sponsored by the Erdenet Mining Corporation and in 2008, on the 30th anniversary of the project, a contract supporting an art research campaign was drawn up in order to open their own art gallery. 

• On the 60th anniversary of the Inner Mongolia Autonomous Region, the “Mongolian Colors” fine arts exhibition was organized in Ulanhot, the capital of the Hingan League Prefecture. 

• Statues of former state and public figures Sh. Shambuu and Sh. Batmunkh were erected by sculptors Ts. Amgalan and L. Bold in Ulaanbaatar, with a statue of labor hero D. Sanshi being erected by the sculptor R. Gankhuyag in the Bigger sum center in Gobi-Altai aimag. 

• The 12th UMA Congress was held in the State Philharmonic Hall from December 16th to 17th. The meeting discussed the annual progress report and organizational issues found within the Union Committee. The Supervisory Board’s organizational report and suggested revisions to bylaws were meant to be discussed but nothing materialized. Elections were held and results were as follows: Ts. Enkhjin as chairman; Ts. Erdenstog as deputy chairman; D. Gungaa, S. Badral, L. Gankhuyang, Ts. Narangerel, Ts. Olzbaatar, and P. Tsogzol as board members. 

• The UMA Award was given to poet, artist, and musician Goshri Chimoi for his “Exciting Art” exhibition, to J. Gerel for his work “Hidden Life”, to D. Batmunkh for his “Herd Leader” painting, and to D. Tuvdendorj for his “Sun, Moon, and Sky” metal sculpture. 

2008

• The UMA award was increased to 3,000,000 MNT starting from 2008 with bonus amounts increasing to 200,000 MNT. 

• The amount paid to elderly members was increased and a total of 20,357,000 MNT was paid out to over 200 veterans, with 17,623,777 MNT spent on the Tsagaan Sar and Veteran’s Day receptions. 

• The UMA Award was given to artists B. Sosorbaram and S. Enkh-Amgalan for their solo exhibitions and to artist D. Erdenebayar for his “Concept” and “Ballet Dancer” paintings.

2009

• The “Literature-Culture” exhibition was initiated and organized. The purpose of the exhibition was to ensure that every Mongolian would know the national script, use it in their work, and pass it on to future generations. The organizers believed that it was the duty of every citizen to take part in achieving the above goals, as the proud use of the Mongolian language and script written by Genghis Khan was a guarantee of the country’s independence and the actualization of democracy in Mongolia. Organization of the exhibition included a calligraphy contest with entry not limited to only professional artists. 

• In order to support young artists, the “GRAND ART” project was launched to support those under 35 with an interest in South Korean art, aiming to expand cooperation by promoting both country’s fine arts, conducting of field research, and increasing opportunities to learn from senior artists. 

• A total of 2,300,000 MNT was allocated to a special program to support 67 new members of the Union of Mongolian Artists. 

• Artist Ch. Bazarvaan and sculptor Kh. Tsegmid were awarded the title of “Honored Worker of Art”. 

• Sculptor L. Bold was awarded the state prize for his sculptures “Chinggis Khaan”, “Ogedei Khan”, “Kublai Khan”, “Boorchi”, and “Mukhulai”. 

• The UMA Award was given to artist Ts. Erdenetsog for his “Tusgal-2” exhibition and “Mongolian Line Art” book, to D. Narantsetseg for her “Horse-Stretched Steppe” and “Evening” paintings and her “Flowers” series, and to J. Gankhuu for their “Heavenly Dream” art exhibition. 

2010

• Competitions, exhibitions, and rewards for successful artist were organized in celebration of the 70th anniversary of the the Mongolian Geological Survey’s founding and the 360th anniversary of the founding of Ulaanbaatar. 

• For the 50th anniversary of the Fine Arts Department at the Mongolian State University of Education, 11 teachers were awarded 100,000 MNT each. 

• 82 artists participated in the organization of the “Four Directions Eight Eyes” summer plein air in 13 different locations. 14,390,000 MNT was spent on the plein air, camping in Bulgan aimag, artists, and to allow staff rest time. 

• Kh. Batbaatar’s “Untitled” painting was awarded the Best Work Award for participation in the 4th International Art Biennale. 

• For the 80th birthday of People’s Artists B. Chogsom, a short film on his life and work was created. 

• For the first time, an exhibition to promote Mongolia was held at the European Commission in Brussels, Belgium. 

2011

• On December 24th, the 13th UMA Congress was held at the State Philharmonic Hall. The progress report was presented by UMA Chairman Ts. Enkhjin. The most important contents of the report were as follows: “Earlier, in order to increase the accessibility of artists’ work, Section B of the Unified Art Project was vacated by foreign artist and the price of studios was reduced by fifty percent to make the spaces available to 38 new artists. As a result, in 2007 there were 63 artists in the workshop, but this year there are 101 with 18 of these artists being refunded 9,163,800 MNT total either directly or in the form of rent reduction. Additionally, 8,141,600 MNT were provided to three people to purchase new housing. It is the duty of every individual in the organization to start their work by welcoming the familiarity and greeting the evening in the end (probably something about enjoying work/providing an enjoyable work environment). Therefore, a total of 1,889,782 MNT was spent on the celebration of arts and crafts and a total of 27,209,880 was spent on three New Years’ festivities. We have been paying constant attention to our older artists, doubling our pensions from 2008 on, providing 20,357,000 to more than 200 veteran members, and spending 17,623,777 MNT to receive veteran members on holidays such as Tsagaan Sar and Veteran’s Day. Members provided 12,739,020 MNT to 16 people, 38,200,000 MNT to 41 people, and 18,402,816 MNT to 12 people for domestic and international travel expenses, as well as 2,390,000 MNT for 7 other people to celebrate anniversaries, purchase winter coal, and pursue professional development opportunities. During the past reporting period, 29 employees and artist of our organization received 2,700,000 MNT for family needs and 48 with serious illnesses received a total of 99,526,569 MNT for medical expenses. In 2008-2010, a total of 171,900,000 MNT was allocated for social welfare benefits.” In addition, a total of 131 exhibitions were organized to cover as many of the 170 requests for exhibitions seen in the 2008-2010 report with a total of 14,939,457 MNT was spent on the exhibition of 12,062 works and 149,655,721 MNT being spent on replacing the exhibition hall roof, completely refurbishing the vacuum windows, and installing air conditioning and hot curtains. As a result of cooperation with the government and other organizations, 40,381,000 MNT worth of commissioned work was completed by artists. In accordance with the action plan proposed by the XII Congress, special attention was paid to supporting art criticism and publishing books and advertisements, and 26,316,795 MNT was provided to 11 people to publish books. Additionally, the “MUE-2010” album with about 700 works by 331 members of the Mongolian Art Union was published in Berlin and distributed to artists and art lovers. A total of MNT 41,727,958 was spent on publishing the book, including transportation costs and customs duties. In the past three years, 34,343,687 was spent on repairing Union property while 32,901,440 MNT was spent on other land expenses such as acquisition and tax. In order to promote the arts, Bayanchandmani sum, Tuv aimag obtained a permit for 8 hectares of land to build a “Zuslan-Urlan” town for Mongolian artists with 82 apartments, a gallery, and a restaurant, with 57,598,800 being spent on infrastructural planning for building placement, architecture, electricity, heating, water, and sewage. 10,115,000 MNT had also been spent on basic developments for the “Art-camp”/”Artists’ Camp” project on 5 hectares of land in Bayan-Davaan, Erdene sum, Tuv aimag. Finally, organizational issues were discussed, and elections held with results as follows: Ts. Enkhjin as chairman; O. Sosor as deputy chairman; S. Badral, D. Bulgantuya, Ts. Olzbaatar, B. Tumurbaatar, Ts. Tsegmid, A. Chadraabal, and Sh. Chimeddorj as board members; Ts. Banchig, S. Altantuya, and D. Narantsetseg as Supervisory Board members. 

• The UMA Award was given to artists B. Nasantsengel for his “Art Guests” painting, and A. Chadraabal for his “Horse” and “Competition” paintings, and to sculptor A. Ochirbold for his “Kaif” and “Chingunjav” sculptures. 

 

 

2011

• For the 2220th anniversary of the founding of the Hunnu Empire, the 805th anniversary of the founding of the Mongol Empire, the 100th anniversary of Mongolia’s Independence, and the 90th anniversary of the People’s Revolution, 138 works were displayed at the “Through the Beautiful Country of Mongolia” exhibition organized in cooperation with the National Naadam Festival Commission, with 40 works being awarded 70,000 MNT each. 

• The International Labor Organization, “Color and Black and White”, the National Korean Cultural Relation Association, and the DUS cooperated to award the best works from the “Grand Art”, Office of the President’s “Written Culture”, Young Artists’ Union’s “Golden Brush”, and annual “Autumn” exhibitions. 

• From all exhibitions, 14 works were valued at 45 million MNT and brought into the collection of the Mongolian Art Gallery. 

• On July 25th, S. Tugs-Oyun’s “Legend”, Ts. Bold’s “Ovoo”, Kh. Uuganbayar’s “Golomt”, and M. Uranberkh’s “Khuslen” paintings were all commissioned by the Secretariat of the State Great Hural and installed in the meeting room of the Speaker of Parliament. 

• The UMA Award was given to sculptor L. Gantumur for his bronze statue “Vital Spirit”, to artist N. Tuya for their “Freedom” painting and solo exhibition, and to artists O. Enkhtaivan for his “White Voice” painting. 

 

2012

• Union members participated in a joint exhibition with Japanese, Korean, and French artists with 50 works by 50 artists at the UNESCO building in Paris, France. 

• Seven artists participated in the blacksmith, carving, pottery, and felt categories of the International Folk Art Festival in Bressoir, France.

• Using the foundations of the site next to the Artists’ Union, work began to sponsor the work of artists in this area and to begin the collection of cash donations to support the activities of the Union. 

• Artists from Omsk, Krasnoyarsk, Novosibirsk, and Irkutsk participated in the joint Mongolian-Russian plein air in Terelj. 

• Member artists participated in the 9th Biennale of Contemporary Art in Shanghai, China with 24 works from 8 artists ranging from paintings to performances, and installations. 

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SOSOR.O

Art historian, Prize winner of the Union of Mongolian Artists

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The text was translated by Johan Willem van Rosevelt
 

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